Article Navigation
- < Previous
- Next >
Journal Article
Get access
Edited By
Beate
Fricke
and
Aden
Kumler
Pennsylvania State University Press
,
2022
. pp. 168. £15.95 (pbk).
Jeanette Bicknell Independent Scholar bicknellj@hotmail.com Search for other works by this author on: Oxford Academic
The British Journal of Aesthetics, Volume 64, Issue 3, July 2024, Pages 415–417, https://doi.org/10.1093/aesthj/ayad010
Published:
09 April 2023
- Views
- Article contents
- Figures & tables
- Video
- Audio
- Supplementary Data
-
Cite
Cite
Jeanette Bicknell, Destroyed – Disappeared – Lost – NeverWere, The British Journal of Aesthetics, Volume 64, Issue 3, July 2024, Pages 415–417, https://doi.org/10.1093/aesthj/ayad010
Close
Search
Close
Search
Advanced Search
Search Menu
Extract
Objects play a prominent role in art history. Historians reflect on exemplary works and what they reveal. They may disagree as to which objects best exemplify a period or style, and about which represent stylistic innovations and turning points, but objects are central to these discussions. Artworks are a source of information about historical eras and about individual artists and their practices. Considering the reception of individual works can tell us about the values and social practices of a particular time and place. Even though there may be no consensus about what single works—exemplary or not—can reveal, the ‘object-centred’ approach characterizes art history textbooks, university courses, TV shows, and popular blogsalike.
But the history of art is not just the history of objects, nor even the history of the artists who made them and of how those objects were received. The history of art is also the history of loss. Beate Fricke and Aden Kumler, the editors of Destroyed – Disappeared – Lost – Never Were, remind us that the destruction of art has a history as long as the making of art. Therefore, limiting our consideration to works that still exist may give a distorted understanding. To understand the history of art, one might argue, it is necessary to look beyond those objects that have survived until the present day. In addition to thinking about the objects that have endured, we must take seriously those works that have been lost and reconfigure art history with them inmind.
Issue Section:
Reviews
You do not currently have access to this article.
Download all slides
Sign in
Get help with access
Personal account
- Sign in with email/username & password
- Get email alerts
- Save searches
- Purchase content
- Activate your purchase/trial code
- Add your ORCID iD
Sign in Register
Institutional access
- Sign in with a library card
- Sign in with username/password
- Recommend to your librarian
Sign in through your institution
Sign in through your institution
Institutional account management
Sign in as administrator
Get help with access
Institutional access
Access to content on Oxford Academic is often provided through institutional subscriptions and purchases. If you are a member of an institution with an active account, you may be able to access content in one of the following ways:
IP based access
Typically, access is provided across an institutional network to a range of IP addresses. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.
Sign in through your institution
Choose this option to get remote access when outside your institution. Shibboleth/Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic.
- Click Sign in through your institution.
- Select your institution from the list provided, which will take you to your institution's website to sign in.
- When on the institution site, please use the credentials provided by your institution. Do not use an Oxford Academic personal account.
- Following successful sign in, you will be returned to Oxford Academic.
If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.
Sign in with a library card
Enter your library card number to sign in. If you cannot sign in, please contact your librarian.
Society Members
Society member access to a journal is achieved in one of the following ways:
Sign in through society site
Many societies offer single sign-on between the society website and Oxford Academic. If you see ‘Sign in through society site’ in the sign in pane within a journal:
- Click Sign in through society site.
- When on the society site, please use the credentials provided by that society. Do not use an Oxford Academic personal account.
- Following successful sign in, you will be returned to Oxford Academic.
If you do not have a society account or have forgotten your username or password, please contact your society.
Sign in using a personal account
Some societies use Oxford Academic personal accounts to provide access to their members. See below.
Personal account
A personal account can be used to get email alerts, save searches, purchase content, and activate subscriptions.
Some societies use Oxford Academic personal accounts to provide access to their members.
Viewing your signed in accounts
Click the account icon in the top right to:
- View your signed in personal account and access account management features.
- View the institutional accounts that are providing access.
Signed in but can't access content
Oxford Academic is home to a wide variety of products. The institutional subscription may not cover the content that you are trying to access. If you believe you should have access to that content, please contact your librarian.
Institutional account management
For librarians and administrators, your personal account also provides access to institutional account management. Here you will find options to view and activate subscriptions, manage institutional settings and access options, access usage statistics, and more.
Advertisem*nt
Citations
Views
61
Altmetric
More metrics information
Metrics
Total Views 61
50 Pageviews
11 PDF Downloads
Since 8/1/2023
Month: | Total Views: |
---|---|
August 2023 | 8 |
September 2023 | 16 |
October 2023 | 15 |
November 2023 | 2 |
January 2024 | 7 |
February 2024 | 2 |
March 2024 | 2 |
April 2024 | 5 |
May 2024 | 2 |
June 2024 | 2 |
Citations
Powered by Dimensions
Altmetrics
Email alerts
Article activity alert
Advance article alerts
New issue alert
Receive exclusive offers and updates from Oxford Academic
Citing articles via
Google Scholar
-
Latest
-
Most Read
-
Most Cited
More from Oxford Academic
Aesthetics and Philosophy of Art
Arts and Humanities
Philosophy
Books
Journals
Advertisem*nt